Live Video Streaming Device

• Plug-and-Play, driver free & power free
• SDI in, and USB 3.1 Gen1(USB3.0) out
• Automatic input signal detection, up to 1080p60
• Uncompressed transmission rate up to 200MB/s via USB 3.1 Gen1
• Comply with UVC video capture and YUY2 video output
• Comply with UAC audio out from SDI embedded audio or line in
• Compatible with Windows, Linux, macOS
• Compatible with OBS, ZOOM, Teams, Twitch, etc.

• 4 channel auto-detected HDMI inputs
• 1×HDMI PGM output,1×HDMI multiview out, 1×USB type-C output
• AUX output configurable and assignable
• USB-C for capturing and streaming on PC
• Clearly visible multiview & status page
• Upstream key: Luma key, Chroma key, PIP×2/ POP
• Downstream key and LOGO overlay
• T-bar/ Auto/ Cut transitions; various effects: WIPE(9×2 patterns) / MIX/ DIP
• Audio mixer: HDMI embedded audio and 2-Ch MIC/ line In; audio delay available
• Media library: 49 default patterns, 16 imported images, 16 captured images, 2 color generators
• LAN port for PC software remote control
• FTB/ MUTE/ STILL/ GPIO for tally
• customer configuration import and export

The Cosmo C1 SDI/HDMI Wireless Video Transmission System from Hollyland allows you to transmit up to 1080p60 video via HDMI/SDI inputs up to 1000' line-of-sight with a low 40 ms latency to an HDMI or dual SDI outputs. The transmitter offers one HDMI input, one SDI input, and one SDI loop-through output, and the receiver offers two SDI outputs and one HDMI output.

The system operates on the 5 GHz frequency band and is encrypted to prevent video leakage. The system supports smart channel selection, allowing the system to choose the cleanest channel for transmission. It also supports UVC pull streaming. Both units also feature a bright, easy-to-read OLED display. Each unit is designed to be powered via an L-series battery plate, by the included D adapter, or with an optional USB power supply via the USB Type-C port. Four standard antennas and two mushroom antennas are supplied for the receiver and transmitter.

Key Features

• 16 x 6G-SDI Inputs with Loop Outputs
• 1 x HDMI, 4 x SDI Multiview Outputs
• Supports SD, HD, Ultra HD 4K, DCI 4K
• 2 x 2, 3 x 3, 4 x 4 Multiview Grids
• Built-In LCD with Spin Knob Control
• Push Buttons on Front Panel
• Ethernet for Remote Control
• 1 RU Machined Aluminum Chassis
• Built-In Multi-Voltage Power Supply

Up to 16 Views

• Supports up to 16 views on an HD or UHD monitor
• Mix SD, HD, and UHD 4K sources on the same display
• 2 x 2, 3 x 3, or 4 x 4 grids

Re-SyncingSDI inputs automatically detect and re-sync SD, HD, and UHD 4K30Monitoring Tools

• Customize your display with labels, audio meters, tally indicators, and more
• Choose which audio source is routed to the video output

SD AnamorphicAnamorphic support in SD enables you to view 16x9 anamorphic sources in widescreen

Key Features

• 40 x 12G-SDI Inputs, 2 x 12G-SDI Outputs
• 24 x 12G-SDI AUX Outputs
• Standards Converter on Each Input
• 4 x DVE, 16 x Keyers
• 4 x Media Players
• 4 x Multiview Outputs
• Built-In LCD View Screen
• Front Panel or Ethernet Control
• Built-In Fairlight Audio Mixer
• Front and Rear Talkback Connectors

The Blackmagic Design ATEM Constellation 8K is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs. Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.

Key Features

• 8-Channel HDMI Live Streaming Switcher
• Supports up to 1080p60
• RTMP Streaming via Ethernet or USB-C
• Record Program Out and Individual Inputs
• 11-Input, 2-Channel Audio Mixer
• Input Frame Rate and Format Converter
• Re-Sync on All HDMI Inputs
• HD Multiview Output with up to 16 Views
• Local and Software Switching
• 4 x Upstream, 2 x Downstream Keyers

The Blackmagic Design ATEM Mini Extreme ISO is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Key Features

• For Any ATEM Mini Pro Streaming Switcher
• HDMI and SDI Outputs
• Up to 1080p60 Resolution Output
• Direct, Network, and Internet Connection
• IP Addressable, Software Controllable

Key Features

• Displays Tallies for Video Signals
• Indicates On-air Status
• For ATEM Switchers / Videohub Routers
• 8 Contact Closure Inputs & Outputs
• Connects with Multiple Interfaces

Key Features

• 16mm Skid Plate
• Two Inner Spacers
• Two Outer Spacers
• Two 3" Film Cores

The 16mm HDR Film Gate from Blackmagic Design is a 16mm skid plate designed for the Cintel Scanner. Two inner spacers, two outer spacers, and two 3" film cores are included.

Key Features

• 35mm Skid Plate

The 35mm HDR Film Gate from Blackmagic Design is a 35mm skid plate designed for the Cintel Scanner.

Key Features

• Small and Portable with Built-In Battery
• Includes DaVinci Resolve Studio License
• Keyboard Shortcuts Match Edit Functions
• Built-In Search Dial
• Bluetooth or USB Connectivity

Function ButtonsThe Speed Editor comes with a multitude of functions buttons, some of which are unique to the Speed Editor:

• Escape and Undo
• Sync Bin
• Audio Level and Markers
• Full-Screen Viewer
• Add Transition

Snap and Viewer Size: Turns on snapping in the timeline, allowing the play head to pause momentarily at each edit point as you scroll through your edit with the search dial. Holding the Snap button down will let you adjust the viewer size with the search dial.Bluetooth and USB ControlThe Speed Editor supports controlling DaVinci Resolve either hardwired with an optional USB cable or via Bluetooth. The Speed Editor's integrated battery allows you to work wirelessly, and it charges via an optional USB cable.DaVinci Resolve Studio LicenseThe Speed Editor includes a license for DaVinci Resolve Studio, which supports up to 120 fps at a massive 32K resolution, as well as support for multiple GPUs for real-time playback of professional 10-bit formats, and accelerated H.264 and H.265 hardware decoding and encoding.

 

There's a full suite of immersive audio tools, including Dolby Vision and HDR10+ grading and rendering, the DaVinci Neural Engine, and 30 extra Resolve FX. You get temporal and spatial noise reduction, motion effects, lens distortion correction, de-interlacing, workflow and media asset management integration, remote scripting API, remote and networked color grading, plus rendering and encoder plug‑in support. Plus, there's full-screen playback on a second monitor.

Key Features

• For DaVinci Resolve 17 Systems
• 12 Touch-Sensitive Motorized Faders
• 12 Customizable Pan Knobs
• Crisp LCD Screen per Channel
• Solo, Mute, Call & Automation per Strip
• Buttons to Map Tracks & Buses to Faders
• Ethernet Connectivity
• USB Type-C Port for Configuration
• Internal Power Supply

Blackmagic Design DV/RESFA/FADCS Overview

With the Blackmagic Design Fairlight Console Channel Fader modular control surface at your fingertips, you can mix and automate your DaVinci Resolve 17 sessions with a fluid, hands-on workflow that helps you finish projects faster and more intuitively. It boasts 12 full-featured channels, each with a touch-sensitive motorized fader, a customizable pan knob, a crisp LCD screen, and more.

Below the LCDs and pan knobs, every channel has its own set of illuminated buttons for quick execution of solo, mute, call, and automation. Further enhancing your efficiency are the buttons to the left of the channels; these let you map tracks and buses to the faders. Ethernet connectivity and software configuration via USB Type-C ensure a straightforward setup.

Hands-On WorkflowThe Fairlight Console Channel Fader gives you full mixing and automation control for your DaVinci Resolve 17 system.Tactile Controls per ChannelEach of the 12 channels features a touch-sensitive 100mm belt-driven motorized fader, a customizable soft knob for panning, and buttons for solo, mute, call, and automation. Use the solo and mute buttons to quickly isolate tracks or temporarily turn them off. Call buttons can be used to load track parameters, set up fader banks, and spill bus tracks to adjoining faders. Auto buttons enable automation.High-Quality FadersThe faders are sculpted and weighted for comfort and feature smooth-gliding high-precision motors that provide the sensitivity and feedback you need for the most sophisticated mixing sessions. Bank control buttons switch and control 12 banks of 12 faders plus an additional 12 banks of user-defined channels. Assigned faders can also adjust send and record levels.Multifunction Pan KnobsThe multifunction pan knob features tap-to-reset functionality and can be used for panning or assigned to control other parameters. The pan knob is rotary encoder based, which means it won't introduce unwanted noise like mechanical knobs.Crisp LCD ScreensThe integrated high-resolution LCD screens located above each fader strip let you see track color, name and number, along with pan status, level meters, and more. This information correlates directly with the track headers and mixer in the software.Bank ButtonsThe Fairlight Console Channel Fader also provides automation controls and bank buttons for mapping tracks and buses to the faders. The six bank and control buttons on the left side of the panel let you quickly switch your faders to work on 12 different sets of sequentially mapped channels. You can also manually map an additional 12 banks of channel faders for each fader panel.Easy ConnectivityThe 10/100/1000 Base-T Ethernet port allows simple integration with your DaVinci Resolve 17 system. Additionally, a USB Type-C port is provided for software configuration (via Fairlight Studio and Console setup utility) and software updates.Convenient Software UpgradesThe Fairlight Console Channel Fader utilizes an internal software upgrade function via an updater application.Internal Power SupplyEquipped with an internal power supply, the Fairlight Console Channel Fader bypasses the need for an unsightly and cumbersome wall wart.

Key Features

• Connects to Fairlight Console
• 12" Interactive LCD Screen
• 5 Auto-Switching Layouts
• Touch-Sensitive Control Knobs
• Custom Keyboard with Self-Labeling Keys
• Programmable Macro Keys
• Transport Controls with Search Dial
• Ethernet Connectivity
• USB Type-C Port for Configuration
• Internal Power Supply

Integrated LCDThe Fairlight Console Audio Editor features a large 12" high-resolution LCD with soft buttons and knobs. It's an interactive audio editing dashboard with five different layouts, giving you a full graphical interface for EQ, dynamics, plug-ins, and other tasks. The screen automatically changes to show you the information, tools, and controls you need for the current activity. This lets you work quickly because you don't have to grab the mouse, look up at the computer display, and stop what you're doing. For example, when adjusting an EQ, you'll see the parametric equalizer curve on the display. You can use the knobs to adjust the gain in different frequency ranges and see instant feedback as the curve changes.EQ LayoutThe clip EQ layout gives you total control over the 4-band parametric equalizer parameters for the selected clip. This gives you all the same EQ controls that are available in the Inspector in DaVinci Resolve, along with clip-EQ preset options.Standard MixingThe standard mixing layout displays information for the currently selected track. This includes level, pan, meters, the 6-band parametric track EQ, dynamics, and more. The soft buttons and knobs give you quick access to common controls.Plug-InsThis layout displays controls for the first plug-in on the selected track. This screen has a 3-page layout giving you access to plug-in bypass and reset, loading and saving of presets, and for mapping plug-in parameters to any of the six rotary knobs.Aux SendsWhen viewing the aux layout, you'll see all of the send levels and panning for up to 24 auxiliary channels, all at the same time. The soft buttons along the top of the screen let you enable different aux channels for the active tracks.Monitor ModeThe monitoring mode layout provides visual feedback for the dim and fixed levels, along with control room, loudness, and studio meters. It also displays a graphical representation of the speaker configuration for your listening environment.Custom Function KeyboardThe custom keyboard features easy-to-read, multifunction, self-labeling keys with dedicated layouts that cover nearly every function of the Fairlight page. The images on the keys change based on the task you're performing, so you can work quickly.Programmable Macro KeysMacro keys can be used to record sequences of keystrokes that you can recall and use at any time to automate repetitive tasks and speed up your workflow. There are 14 dedicated macro keys along with a mode for displaying 30 macros on the keyboard.Transport ControlsNavigation keys and the Search dial let you quickly move around the timeline, record, search, playback at variable speeds, set locators to jump to a new position, and more. They can also be used to zoom, adjust levels, shape fades, and trim edits.Easy ConnectivityThe 10/100/1000 Base-T Ethernet port allows simple integration with your DaVinci Resolve 17 system. Additionally, a USB Type-C port is provided for software configuration (via Fairlight Studio and Console setup utility) and software updates.Convenient Software UpgradesThe Fairlight Console Audio Editor utilizes an internal software upgrade function via an updater application.Internal Power SupplyEquipped with an internal power supply, the Fairlight Console Audio Editor bypasses the need for an unsightly and cumbersome wall wart.

Key Features

• Routing Switcher
• 21 Programmable Buttons
• LCD Information Screen
• 1 RU Rackmount Size
• Push Buttons on Front Panel
• RS-422 Input and Output
• Ethernet with PoE for Remote Control
• Videohub Control Software Included

The Videohub Master Control Pro from Blackmagic Design is a network switching router with 21 programmable buttons for routing sources and destinations over a network. Housed in a 1 RU frame, the Master Videohub is suitable for use in both large broadcast systems or portable racks for routing live productions over Ethernet.

Simple push buttons on the front of the unit are configured to control source and destination as well as a scroll wheel and several configuration buttons. The buttons can be programmed via USB using the included software for Mac OS X and Windows. The unit also features power fail protection to preserve your button configurations when power is lost.

The rear of the unit features an RJ45 Ethernet input with PoE to connect your sources and power the unit, or it can be powered with a separately available C13 power cable. There is also an Ethernet loop output without PoE to communicate with your destinations. Two RS-422 input and output ports for future implementation are also on the back as well as a USB Type-C port for software configuration and firmware upgrades.

Key Features

• Zero-Latency Routing Switcher
• 10 x 12G-SDI Inputs/10 x 12G-SDI Outputs
• Supports Up to DCI 4K60 Video
• Combines SD, HD, UHD 4K & DCI 4K Video
• Push-Button, Knob & Ethernet Control
• 2.2" Front Panel LCD Status Display
• SDI Reclocking, 1 RU Form
• Includes Videohub Mac/Windows Software

Blackmagic Design 10x10 OverviewSupport a mix of multiple video formats using the Videohub 10x10 12G Zero-Latency Video Router from Blackmagic Design. This advanced router provides 10 12G-SDI inputs and ten 12G-SDI outputs for routing any combination of SD, HD, UHD 4K, and DCI 4K video. The Videohub 10x10 12G centralizes all your SDI cables in one hub, enabling you to connect any video input to any video output or even a single video input to multiple video outputs while eliminating clusters of cables and the need for complex diagrams. This versatile unit can be used with multiple HyperDeck recorders for redundant mastering to route video to multiple streaming processors for all your broadcast platforms or add extra inputs to an ATEM switcher.

Key Features

• Zero-Latency Routing Switcher
• 20 x 12G-SDI Inputs/20 x 12G-SDI Outputs
• Supports Up to DCI 4K60 Video
• Combines SD, HD, UHD 4K & DCI 4K Video
• Push-Button, Knob & Ethernet Control
• 2.2" Front Panel LCD Status Display
• SDI Reclocking, Compact 1 RU Size
• Includes Videohub Mac/Windows Software

Support a mix of multiple video formats using the Videohub 20x20 12G Zero-Latency Video Router from Blackmagic Design. This advanced router provides 20 12G-SDI inputs and 20 12G-SDI outputs for routing any combination of SD, HD, UHD 4K, and DCI 4K video. The Videohub 20x20 12G centralizes all your SDI cables in one hub, enabling you to connect any video input to any video output, or a single video input to multiple video outputs while eliminating clusters of cables and the need for complex diagrams. This versatile unit can be used with multiple HyperDeck recorders for redundant mastering, to route video to multiple streaming processors for all your broadcast platforms, or to add extra inputs to an ATEM switcher.

Key Features

• Zero-Latency Routing Switcher
• 40 x 12G-SDI Inputs,40 x 12G-SDI Outputs
• Supports Up to DCI 4K60 Video
• Combines SD, HD, UHD 4K & DCI 4K Video
• Push-Button, Knob & Ethernet Control
• 2.2" Front Panel LCD Status Display
• SDI Reclocking, 2 RU Form
• Includes Videohub Mac/Windows Software

Support a mix of multiple video formats using the Videohub 40x40 12G Zero-Latency Video Router from Blackmagic Design. This advanced router provides 40 12G-SDI inputs and 40 12G-SDI outputs for routing any combination of SD, HD, UHD 4K, and DCI 4K video. The Videohub 40x40 12G centralizes all your SDI cables in one hub, enabling you to connect any video input to any video output, or even a single video input to multiple video outputs while eliminating clusters of cables and the need for complex diagrams. This versatile unit can be used with multiple HyperDeck recorders for redundant mastering, to route video to multiple streaming processors for all your broadcast platforms, or to add extra inputs to an ATEM switcher.

Key Features

• Compatible with Videohub 288 Frame
• Supports up to 288 x 288 SDI & Control

The Blackmagic Design Universal Videohub 288 Crosspoint is a hot-pluggable card module designed for use in the Videohub 288 rack frame. It supports up to 288 x 288 SDI and deck control, ethernet and serial router control, genlock and alarm indicators.

Key Features

• Compatible with Videohub 72 & 288 Frames
• Supports up to 72 x 72 SDI & Control

The Blackmagic Design Universal Videohub 72 Crosspoint is a hot-pluggable card module designed for use in the Videohub 72 & 288 rack frames. It supports up to 72 x 72 SDI and control, ethernet and serial router control, genlock and alarm indicators.

Key Features

• Audio Inputs for ATEM Television Studio
• Connects to Switcher via MADI
• 4 XLR-1/4" Combo Mic/Line Inputs, +48V
• 32-Bit Float Digital Preamps
• 8 ADCs/Channel, 24-Bit / 48 kHz Audio
• Easy-to-Use, No Setup Required
• 64-Channel MADI Digital Audio I/O Ports
• HDMI Monitor Out
• USB-C and Ethernet Ports
• Works with ATEM Software Control App

Digital Preamplifier Design

• With the four, wide-dynamic-range inputs that eliminate the need for analog preamplifiers, microphone levels are adjusted by a digital preamplifier gain stage that is extremely stable.
• The analog audio levels of different microphone types and brands can vary widely, so this digital gain stage allows compensation for the specific brand of microphone you use. Best of all, the digital preamplifier is processed in the full internal 32-bit float RAW audio bit depth, so you're adjusting with much greater precision than the MADI audio standard can support. This results in an extremely clean and noise-free gain stage. Then, the final levels can be finessed on the ATEM audio mixer as you work.

High-End Analog-to-Digital Conversion

• The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog-to-digital conversion using eight high-dynamic-range audio ADCs that function collectively as one ultrahigh-dynamic-range audio ADC. This means each input channel delivers an impressive 131 dBA of dynamic range. Plus you get a remarkably low distortion of only 0.002%.

Extremely Low -129 dBV Noise Floor

• A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design. The input is converted directly using its ultrahigh-dynamic-range conversion, so you pass RAW audio to the switcher, and then let the switcher apply as much gain as required for the correct audio level.
• This means you don't get an injection of noise caused by an analog gain stage, so you get an extremely low, fixed noise floor of -129 dBV, regardless of digital gain applied.

Precisely Matched Analog Inputs

• The ATEM Microphone Converter features extremely precise matching between the four audio-input channels. The multi-ADC-per-input design technique means that each analog audio input has very similar specifications and tolerances, so all input channels are statistically more uniform. This means you get similar performance no matter what input you connect the microphone to—and even between multiple ATEM Microphone Converters.

Connects via MADI for Multichannel Audio

• The ATEM Microphone Converter’s MADI output embeds the four analog inputs as MADI channels 1, 2, 3, and 4. The converter also includes a MADI input, which is used to loop multiple converters when you need more than four channels of audio on a single MADI link.
• This means if a second converter is connected to the input of another, the upstream converter will stack its four channels above the four channels on the downstream converter.

Key Features

• Enables Extension of SDI/HDMI Cameras
• Transmission Distance - 28 miles (45km)
• Internal Battery
• Talkback Function
• 12V Power Connection
• 2 Tally LEDs
• Integrated Belt Clip / Camera Mount
• Microphone Inputs
• Aircraft-grade Aluminum Construction
• Built-in Button Pad

Enables extension of SDI (serial digital interface) / HDMI cameras to distances up to 28 miles (45km) via optical fiber linkYou can connect your camera to the SDI/HDMI inputs to convert videos to optical signalsOptical fiber input can be connected to the switcher program feed to convert to SDI/HDMI outputs for monitoringSDI/HDMI outputs can be switched between return program and camera input for monitoringIncludes an internal batteryCan be used at remote locations when the cameras are placed at far-off locationsFeatured Talkback function allows the switcher operator to co-ordinate with camera operator via PC headsets or iPhone-compatible headphonesTalkback function listens to channels 15 and 16 of the optical fiber input on the headphones by embedding microphone audio into channels 15 and 16 of the camera optical fiber video outputCan be connected to any power source or a car battery using the 12V power connectionIlluminates the 2 tally LEDs using open standard tally packet in the SDI output by connecting the switcher's program output to the ATEM Camera Converter via optical outputsYou can select the camera number using the USB software or by camera number button on the keypadYou can view red color tally on the monitor by connecting external monitoring to the HDMI/SDI outputsFeatures an integrated belt clipCan be attached to the belt for portabilityCan be mounted onto a tripod with the help of a camera mountFeatures microphone inputs for audio capabilityMade of aircraft-grade aluminumCan withstand bumps and shocks without breakingBuilt-in button pad allows you to control power, microphone level, talkback and video, and battery indicatorsYou can update converters firmware via a USB portCan be used for applications such as concerts, sporting events, lecture theaters, houses of worship, surveillance, or any remote camera location

Key Features

• 3 x High-Resolution Trackballs
• 12 x Primary Correction-Control Knobs
• 18 x Navigation and Transport Keys
• USB Type-C Interface
• Supports Mac and Windows
• Supports Select Linux Installations
• USB 3.0 Type-A to Type-C Cable Included

Key FeaturesSmall enough to take with you, so you can use it with any Resolve system (14.3 or later) and do color correction on location or at the editor's suiteDaVinci Resolve Studio software activation key includedShares basic layout with Mini and Advanced PanelsInterfaces with and controls softwareThree track balls with outer control ringsLog and Offset color-correction selection buttonsCustom control knobs with 4096 steps per rotation and push-button resetPrimary Correction Creative Control KnobsControl knobs are grouped into four sets of three knobs.Luminance

• Y lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.
• Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.

Contrast

• Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.
• Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.
• Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features, making it popular for beauty shots.

Detail

• Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.
• Shadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.
• Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid-tones for a natural-looking image.

Saturation

• Increases or decreases overall image saturation. You can turn your color image into a grayscale image with this control.
• Hue Control: Rotate all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.
• Luminance Mix Control: Control the balance between the YRGB adjustments and Y-only adjustments made using the Y channel lift, gamma, and gain controls.

System Requirements for DaVinci ResolveSystem requirements as of DaVinci Resolve 18:Minimum System Requirements for Mac OS

• macOS 11 Big Sur
• 8GB of system memory; 16GB when using Fusion
• Blackmagic Design Desktop Video version 12.0 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports Metal or OpenCL 1.2

Minimum System Requirements for Windows

• Windows 10 Creators Update
• 16GB of system memory; 32GB when using Fusion
• Blackmagic Design Desktop Video 10.4.1 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11
• NVIDIA/AMD/Intel GPU Driver version–as required by your GPU

Minimum System Requirements for Linux

• CentOS 7.3
• 32GB of system memory
• Blackmagic Design Desktop Video 10.4.1 or later
• Discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11

Key Features

• 4 SDI inputs & 4 SDI Outputs
• 4 Deck Control
• Full Re-clocking
• Auto Switching SD, HD & 3 Gb/s SDI

Blackmagic Design Universal Videohub Overview

The Blackmagic Design Universal Videohub SDI Interface includes 4 SDI inputs and 4 SDI outputs, plus 4 deck control. In addition, it comes with full re-clocking and auto switching SD, HD, and 3 Gb/s SDI (serial digital interface). The SDI interface connects all devices in a facility by covering long distances up to 300' (91.4m). It uses 10-bit video quantizing that allows 1024 video levels, and eliminates banding and contouring problems in high quality video.

Includes 4 SDI inputs and 4 SDI outputs, plus 4 deck controlComes with full re-clocking and auto switching SD, HD, and 3 Gb/s SDI (serial digital interface)Uses 10-bit video quantizing that allows 1024 video levels, and eliminates banding and contouring problems in high quality video

Key Features

• Real-Time HDR Film Scanning in UHD 4K
• Digitize 35mm, Super 35, 16mm & Super 16
• High Intensity Diffuse Light Source
• Controlled by DaVinci Resolve Studio
• Built-In Camera
• Wall or Desktop Mounting
• Precision Capstans
• Film Spools, Cleaning Rollers & More

Blackmagic Design Cintel G3 Overview

The Blackmagic Design Cintel Scanner G3 HDR+ is a complete solution for real-time film scanning and grading. It features precision mechanical film handling components, a high intensity diffuse light source, optics, and a built-in camera. The precision capstans handle film gently. The scanner includes a 35mm film gate, film spools, a set of four cleaning rollers, desk mount feet, and DaVinci Resolve Studio software. The scanner transfers film directly to DaVinci Resolve, which allows you to edit film rolls back together, grade and reframe scans, apply noise reduction, and extract audio. The ability to use DaVinci Resolve to operate the scanner ensures more creative control than possible with a hardware-only control solution.

The Cintel Scanner G3 HDR+ advances the art of film scanning with a completely redesigned light source that allows real-time HDR film scanning in Ultra HD 4K. This model also retains the renowned features of the earlier Cintel scanners, such as digital servos, gentle capstan drives, advanced color science, 35mm and 16mm film support, and an elegant design that can be used desktop or wall-mounted. The Cintel Scanner is perfect for unlocking vast archive film libraries for conversion into new UHD masters so they can be uploaded for streaming and online distribution.

Studios have generated millions of hours of film over the last 100 years, however, it's stored in film vaults around the world. Converting older film libraries is a fast and inexpensive way to deliver Ultra HD content to consumers. The Cintel Scanner will scan negative and positive 35mm film into high-quality UHD.

The scanner's high-intensity light source and advanced color science allow for sharp, high-quality images from scanned film even when running at real-time speed. The RGB LED grid array illumination source is designed to work with an extremely sensitive imaging sensor and ensures your priceless film is never exposed to unnecessary thermal stress and color fading effects of traditional scanner lamps. Plus, the light source also provides an additional 3.5 stops of HDR. There's even a film inspection mode that allows you to see how the original film actually looks compared to the scans achieved with the Cintel's light source.

The G3 HDR+ features a 35mm skid plate and supports an optional 16mm gate for HDR scanning, allowing you to create high dynamic range digital masters with better color, more texture, and more detail. This makes it possible to meet the growing demand for 4K HDR content on streaming services. The combination of the scanner and DaVinci Resolve Studio gives you everything you need to scan, color correct, restore and master your film library for high dynamic range Ultra HD distribution. In addition to advanced color correction, Resolve also offers Revival tools for automatic dirt removal, dust busting, deflickering, spot patch repair with smart fill technology, and advanced temporal and spatial noise reduction.

Designed to hang on your wall, the Cintel Scanner is constructed using aircraft design techniques for a stiff and vibration-free main deck so that you get smooth film handling. The core chassis is a rigid structural space frame, which results in a dramatically lighter and more durable body than older simplistic heavy plate designs. This means the Cintel Scanner is light enough to be wall mounted in your facility. Slim and wall-mounted, it's out of your way until you need to use it. Whether you mount it on a wall or use it on the desktop, its sliding doors and other features all f

Key Features

• For 35mm, Super 35 & Anamorphic 35mm
• 4096 x 3072 1.33 (4:3) Native Resolution
• Thunderbolt 3 or PCIe Output
• Capstan-Based Movement
• Raw Output to DaVinci Resolve
• Optional Plate for 16mm/Super 16mm
• Optional Audio/KeyCode Reader Unit
• UHD 4K & 1080p HDMI Monitor Output
• 12-Stop Dynamic Range, 14-Stop HDR
• For Print, Negative, Color & B&W Film

Blackmagic Design Cintel Overview

Access a wealth of existing film-based content using the Cintel Scanner S-Drive HDR G2 from Blackmagic Design. This industrial film scanner converts 35mm film to raw video output directly to your computer using an extremely fast Thunderbolt 3 or PCIe connection and gentle, capstan-based movement. The Cintel S-Drive Scanner is Mac, Windows, and Linux-compatible and can be updated to access future features.

Use the Cintel S-Drive Scanner's pipeline to DaVinci Resolve for advanced color correction, dirt and dust removal, noise reduction, and additional restoration functions. An HDMI output enables you to monitor, focus, and align your footage in HD as it is scanned and separately available 16mm and audio/KEYKODE units provide expanded scanning options.

Key Features

• For High-End Suites and Mixing Stages
• 5 Bays
• Houses Fairlight Console Modules
• Enables Custom Module Arrangements
• Sturdy Cast Steel Construction
• Provides Space for Mouse or Notes
• Allows Installation of Blank Panels

Blackmagic Design Fairlight Overview

House your Fairlight Console modules in the Blackmagic Design Fairlight 5-Bay Console Chassis and reap the benefits of a svelte and ergonomic worksurface that enables custom module arrangements to suit your unique needs. At 109" wide, the 5-bay variant is an ideal fit for high-end suites and professional mixing stages.

The Fairlight 5-Bay Console Chassis features cast steel construction for sturdiness and stability without occupying excessive space. In addition to having five bays for Fairlight Console modules such as the Channel Control, Channel Fader, Audio Editor, and LCD Monitor (all available separately), it provides space for your mouse or notes and allows you to install blank panels.

Multiple Bays for Modular ConfigurationFeaturing five bays and measuring 109" wide, the Fairlight 5-Bay Console Chassis is well suited for use in high-end suites and professional mixing stages.Houses Fairlight Console ModulesThe Fairlight 5-Bay Console Chassis can house the separately available modules listed below in your desired arrangement.

 

• Fairlight Console Channel Control
• Fairlight Console Channel Fader
• Fairlight Console Audio Editor
• Fairlight Console LCD Monitor

Key Features

• For Medium-Sized Audio Suites
• 4 Bays
• Houses Fairlight Console Modules
• Enables Custom Module Arrangements
• Sturdy Cast Steel Construction
• Provides Space for Mouse or Notes
• Allows Installation of Blank Panels

Blackmagic Design Fairlight Overview

House your Fairlight Console modules in the Blackmagic Design Fairlight 4-Bay Console Chassis and reap the benefits of a svelte and ergonomic worksurface that enables custom module arrangements to suit your unique needs. At 89.6" wide, the 4-bay variant is an ideal fit for medium-sized audio suites and control rooms.

The Fairlight 4-Bay Console Chassis features cast steel construction for sturdiness and stability without occupying excessive space. In addition to having four bays for Fairlight Console modules such as the Channel Control, Channel Fader, Audio Editor, and LCD Monitor (all available separately), it provides space for your mouse or notes and allows you to install blank panels.

Multiple Bays for Modular ConfigurationFeaturing four bays and measuring 89.6" wide, the Fairlight 4-Bay Console Chassis is well suited for use in medium-sized audio suites and control rooms.Houses Fairlight Console ModulesThe Fairlight 4-Bay Console Chassis can house the separately available modules listed below in your desired arrangement.

 

• Fairlight Console Channel Control
• Fairlight Console Channel Fader
• Fairlight Console Audio Editor
• Fairlight Console LCD Monitor

Key Features

• Simultaneous SDI to HDMI & HDMI to SDI
• 1 x SD/HD/12G-SDI & 1x HDMI Input/Output
• Supports up to DCI/UHD 4K60 Video
• Blackmagic Camera Control, Tally Support
• SDI Re-Clocking/HDMI Timecode
• HDMI Copy Protection Support
• Automatic Input Signal Detection
• Embedded HDMI & SDI Input/Output
• LED Video & Power Signal Indicators

Blackmagic Design Micro Converter OverviewCompact, Rugged Design

• Robust metal housing and rugged connectors
• USB Type-C port for powering via a compatible component like a monitor or laptop
• Updatable via the USB Type-C port and your Mac or Windows computer

HDMI Camera Control

• Camera control conversion for the HDMI-output Blackmagic Pocket Cinema Camera 4K or 6K, enables use with an SDI-based live switcher

SDI & HDMI Timecode

• HD and SD timecode support
• Converts HDMI timecode to SDI and vice versa

SDI Re-Clocking

• Built-in re-clocking on 3G-SDI output enables stable output over longer cable runs
• Compatible with SMPTE 259M/292M/296M/424M/425M level A and B

Wider Resolution Support

• SDI support from NTSC and PAL up to DCI/UHD 4K60
• HDMI support from NTSC and PAL up to DCI/UHD 4K60

Embedded Audio

• Supports embedded SDI and HDMI input and output

LED Indicators

• LED indicators for video and power signals

Versatile Power Options

• Power from a monitor, laptop, or other component using the USB Type-C port
• Powered using separately available power supply

Key Features

• 4K HDMI Input
• 2 x 6G-SDI Outputs
• Supports SD, HD, UHD 4K & DCI 4K Signals
• Automatic Input Signal Detection
• 24-Bit, 48 kHz Audio
• Analog & AES-EBU Digital Audio Inputs
• Embeds Audio Into SDI Output
• Settings via Mini Switches or Software
• USB 2.0 Port for Firmware Updates
• 12V Universal Power Supply Included

Blackmagic Design CONVMBHS Overview

The Blackmagic Design HDMI to SDI 6G Mini Converter converts HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to DCI 4K (4096 x 2160) at 24p and UHD 4K (3840 x 2160) up to 30p. This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post-production, and professional AV applications.

Using 4K HDMI and 6G-SDI technologies, the Mini Converter automatically detects the input video format and instantly changes between SD, HD, and UHD/DCI 4K formats. The two 6G-SDI outputs also support SD and HD-SDI signals for integration into existing workflows. Both 6G-SDI outputs send duplicate signals. Audio is embedded in the SDI output from either the HDMI input or from the two 1/4" input jacks which support four channels of AES/EBU digital audio or two channels of analog audio.

The Mini Converter's settings are controlled using the built-in switches or via USB using the control software for Max OS X or Windows computers, which can be downloaded on Blackmagic Design's website. The USB port also enables the firmware to be updated.The device is powered by an included 12V power supply and includes international socket adapters.Additional Features

• 4:2:2 Sampling and color precision
• HD scaler and SD down-conversion
• 24-bit, 48 kHz audio sampling
• Compliant with SMPTE 259M/292M/296M/372M/424M/425M Level A or B/SMPTE ST-2081, and ITU-R BT.656/BT.601 standards

In the Box

• Blackmagic Design HDMI to SDI 6G Mini Converter
• 12V Power Supply with International Socket Adapters
• Limited 3-Year Manufacturer Warranty

Guides & Manuals

Key Features

• 2 x 4K SDI Input
• 1 x HDMI Type A and 1 x SDI Output
• Supports SD, HD, UHD 4K & DCI 4K Signals
• Automatic Input Signal Detection
• 24-Bit, 48 kHz Audio
• Analog & AES-EBU Digital Audio Outputs
• De-Embeds Audio from SDI
• Settings via Mini Switches or Software
• USB 2.0 Port for Firmware Updates
• 12V Universal Power Supply Included

Blackmagic Design CONVMBSH Overview

The Blackmagic Design SDI to HDMI 6G Mini Converter converts SDI in resolutions up to DCI 4K (4096 x 2160) at 24p and UHD 4K (3840 x 2160) up to 30p to HDMI. This is useful for connecting consumer devices that require HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.

Using 4K HDMI and 6G-SDI technologies, the Mini Converter automatically detects the input video format and instantly changes between SD, HD, and UHD/DCI 4K formats. Featuring two SDI inputs, and both an SDI and HDMI output, the unit will automatically switch from the main SDI input to the alternate input if the main input fails. Audio is de-embedded from the SDI input and available in the HDMI output as well as the AES/EBU or analog audio output.

The Mini Converter's settings are controlled using the built-in switches or via USB using the control software for Max OS X or Windows computers, which can be downloaded on Blackmagic Design's website. The USB port also enables the firmware to be updated.The device is powered by an included 12V power supply and includes international socket adapters.Additional Features

• 4:2:2 Sampling and color precision
• HD scaler and SD down-conversion
• 24-bit, 48 kHz audio sampling
• Compliant with SMPTE 259M, 292M, 296M, 372M, 424M, 425M Level A/B, and SMPTE ST-2081 standards
• Down-conversion for monitoring Ultra HD on HD monitors
• Built-in 3D LUTs
• HDMI instant lock for instant video display when an SDI input is connected

Key Features

• Record on up to 25 SD Cards
• Real-Time H.265 Encoding
• Scalable for Larger Projects
• SDI and Optical Video I/O
• Ethernet Control
• Single File Recording
• Simultaneous Card Formatting
• Blackmagic Duplicator Software

General FeaturesCompact Scalable DesignThe Blackmagic Duplicator 4K features a realtime H.265 encoder and 25 SD card recorders that are miniaturized into a single rack unit design. The machined metal design is durable, lightweight, and small enough to take on the road. That means you can duplicate content right where you're recording and sell it. The front panel has an LCD display for status, and professional broadcast connections such as 12G-SDI with loop through and RS-422 deck control are on the rear so you can connect multiple units together inside a standard 19" rack and record more cards at the same time.Solo WorkFor the many events that require only a single camera and operator, the Duplicator 4K saves time and effort. If you're working alone, you can still produce multiple copies and sell content right off the bat. Simply plug the SDI output from your camera into the duplicator, start shooting and the Blackmagic Duplicator 4K will automatically start encoding and making copies. The Blackmagic Duplicator 4K recognizes the SDI start/stop commands from the camera so it automatically starts and stops recording along with the camera.Single File RecordingThe Blackmagic Duplicator 4K includes an Append Record button that lets you seamlessly combine recordings from different parts of an event into a single file. For example, if you are recording events that have natural breaks, like weddings with a ceremony and reception in different locations, the Blackmagic Duplicator 4K can automatically append the recordings all into a single file. This makes it easier for viewers to watch because they only have to play back a single movie.Simultaneous Card FormattingWith the Blackmagic Duplicator 4K you can easily load and format all 25 cards from the front panel at the same time, rather than formatting them one at a time on your computer. At the end of the event you can take cards out as you sell them, and because the cards are re-usable, you can simply reformat and record over the unsold cards at your next event.

• Minimum Order Quantity: 1 Piece

Key Features

• 3 x High-Resolution Trackballs
• 12 x Primary Correction-Control Knobs
• 18 x Navigation and Transport Keys
• Dedicated Feature Buttons
• 2 x LCD Information Display Screens
• Backlit and Illuminated Buttons
• USB-C and Ethernet Interface
• Supports Mac and Windows
• Supports Select Linux Installations

Key FeaturesSmall enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suiteDaVinci Resolve Studio software includedShares basic layout with both Micro and Advanced PanelsInterfaces with and controls softwareThree trackballs with outer control ringsLog and Offset color-correction selection buttonsButtons are backlit and light up when actuatedTwo LCD screens for displaying the menu system or the parameters of the tools you are working withCustom control knobs with 4096 steps per rotation and push-button resetPrimary Correction Creative Control KnobsControl knobs are grouped into four sets of three knobsLuminance

• Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows for changing the black point without changing saturation.
• Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.
• Y Gain: You can reduce hot spots or tweak the whites to define a look.

Contrast

• Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.
• Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.
• Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features, making it popular for beauty shots.

Detail

• Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.
• Shadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.
• Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid-tones for a natural-looking image.

SaturationIncreases or decreases overall image saturation—you can turn your color image into a grayscale image with this control.

 

• Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.
• Luminance Mix Control: Controls the balance between the YRGB adjustments and Y-only adjustments made using the Y channel lift, gamma, and gain controls.

PowerThe system powers from either a separately available AC power adapter or a 12 VDC source via the 4-pin XLR connector.MountingThe Mini panel can sit on a desktop, be mounted in a rack, or mount on a surface to prevent theft or be used in a moving vehicle or on a cart.System Requirements for DaVinci ResolveSystem requirements as of DaVinci Resolve 18:Minimum System Requirements for Mac OS

• macOS 11 Big Sur
• 8GB of system memory; 16GB when using Fusion
• Blackmagic Design Desktop Video version 12.0 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports Metal or OpenCL 1.2

Key Features

• All-Metal Design with Handrest
• High-Quality Keys with Tiered Profile
• Premium Search Wheel
• Fast In and Out Points
• Intelligent Keyboard Edit Modes
• Smart Insert, Append to End
• Ripple Overwrite, Place on Top
• Direct Timecode Entry Keypad & Much More
• Use Desktop or Inset into a Console
• USB Type-C Compatible

Made for DaVinci Resolve 16 and above, the DaVinci Resolve Editor Keyboard from Blackmagic Design features an all-metal construction and has professional edit keys and a high-quality search wheel, allowing you to edit with both hands. example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, the Resolve Editor Keyboard even has subtle design features such as empty space above certain keys, so they can be located by touch. It plugs into a USB Type-C port and works without any batteries. The keyboard can be used on a desktop or inset into a console via a flange. DaVinci Resolve software is included.

Key Features

• 4 Bidirectional Converters in 1 RU Unit
• Optical Fiber Signal Range 28 Miles
• Connects up to 4 ATEM Camera Converters
• 4 x Fiber to SDI 10-bit Converters
• 4 x Switchable SD/HD-SDI Outputs
• Camera Talkback with Select, Vol & Mute
• Connect to ATEM Switchers/Converters
• Supports SDI Switcher Tally Output
• Send PGM Feed to Fiber Connected Cameras

The Blackmagic Design Studio Converter 2 inputs video signals transmitted over optical fiber and converts the signals to SDI for use with video switchers. When used in conjunction with the Blackmagic Design ATEM Camera Converter, you can send video signals up to 28 miles between camera and switcher using available optical fiber cables. By comparison, sending an HD-SDI signal over traditional copper cable is usually limited to about 300 feet, depending on the quality of the cable.

A typical set up using the Studio Converter 2 is to connect it between the switcher and up to four ATEM Camera Converter units. This setup allows the Converter 2 to receive the signals from the fiber cable, convert the signals to SDI using 10-bit processing, and send the signals to the switcher. The Converter 2 supports SD/HD signals, and when using the available ATEM Camera Converter you can use any camera with an SDI/HDMI output.

The Converter 2 can also be used as 4 independent simultaneous bidirectional SD/HD-SDI to optical converters. The Converter 2 features a built-in mic input, speaker and headphone jack that provides talkback audio for communicating with camera operators. The Converter 2 passes tally signals embedded in the SDI program stream. You can cascade multiple ATEM Studio Converter 2 units together when using more than 4 cameras. The Studio Converter 2 features a 1 RU design with built in rackmount ears for easy integration into existing studio configurations or production cases.

Optical Fiber ConnectorsThe ATEM Studio Converter 2 uses standard single mode optical fiber cable with standard LC connectors to allow you to transmit SD and HD video signals up to 28 miles away. Standard copper wire SDI cables have a limit of several hundred feet before the signal breaks up, converting the SDI signal to optical, and sending it along optical cable greatly increases the distance of your cable runs.Talkback and TallyThe unit features a built-in speaker and mic inputs, as well as a headphone jack for when you need privacy, or if the area is too loud. When connected to the ATEM Camera Converter, you can talk to your camera operators no matter how far away they are, without needing to worry about walkie talkies. Using the talkback feature, the unit uses audio channels 15 and 16 of the SDI stream for talkback communication.
Camera operators can be selected individually if desired, and communication can be controlled by a push button, or locked open. Mute and un-mute buttons on the front of the unit allows you to control who hears what.
The unit passes SDI Tally signal information back to the cameras along with any SDI Program signal from available switchers.Multiple UnitsEach ATEM Studio Converter 2 connects to up to four ATEM Camera Converter units, allowing you to communicate with up to four camera operators at a time. Multiple Studio Converter 2 units can be cascaded together when more than 4 cameras are needed.Precision Signal ProcessingThe unit features chips that use 10-bit processing, and are switchable between SD and HD, for a clean signal.
The unit features four independent simultaneous SDI to optical and optical to SDI converters
When used in conjunction with the ATEM Camera Converter the unit can also be used as four independent SDI or Fiber to HDMI converters

Key Features

• 8-Channel 12G-SDI Switcher
• HD and UHD Signal-Compatible to 2160p60
• 12-Input, 2-Channel Audio Mixer
• Re-Sync on All Inputs
• UHD 4K Multiview Output
• Low-Latency Converter
• Built-In Talkback Feature
• CCU Control for Select Cameras
• ATEM Advanced Chroma Keyer
• Powerful DVE Processor, 2 x Clip Pool

The Blackmagic Design ATEM Television Studio Pro 4K is a UHD 4K-compatible, 8-input live production switcher with an integrated control panel, suitable for broadcast, sports, web, and A/V productions. This versatile switcher's eight independent 12G-SDI inputs accept all popular HD and UHD signals up to 2160p60.

Key Features

• Control Surface for Resolve Controls
• T-Bar Panel and Transport Panel
• Slide-Out Keyboard, Reference Keys
• RGB Lift, Gamma, Gain Trackballs
• Node-Based Real-Time Image Processing
• 32-Bit Floating Point/YRGB Processing
• 5 x LCDs with Real-Time Key Information
• 30 x Soft Knobs, Illuminated Keys
• Jog/Shuttle Knob and Transport Controls
• Compatible with Mac, Linux, Windows

System Requirements for DaVinci ResolveSystem requirements as of DaVinci Resolve 18:Minimum System Requirements for Mac OS

• macOS 11 Big Sur
• 8GB of system memory. 16GB when using Fusion
• Blackmagic Design Desktop Video version 12.0 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports Metal or OpenCL 1.2

Minimum System Requirements for Windows

• Windows 10 Creators Update
• 16GB of system memory. 32GB when using Fusion
• Blackmagic Design Desktop Video 10.4.1 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11
• NVIDIA/AMD/Intel GPU Driver version–as required by your GPU

Minimum System Requirements for Linux

• CentOS 7.3
• 32GB of system memory
• Blackmagic Design Desktop Video 10.4.1 or later
• Discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11
• NVIDIA/AMD Driver version–as required by your GPU

The world’s smallest 12G-SDI to HDMI broadcast quality converter! Blackmagic Micro Converter SDI to HDMI 12G is a miniaturized broadcast quality video converter that’s been specifically designed for professional monitoring. It includes a 33 point 3D LUT for color calibrating any monitor, projector or television. Micro Converters feature full size HDMI and professional 12G-SDI connections for working with all NTSC, PAL, 720p, 1080p, 1080PsF, 1080i and 2160p rates, including 4K DCI at 24/47.95/48. You can power it over USB from a television or a mobile phone charger!
Connections SDI Video Inputs 1 SDI Video Outputs 1 x loop out. HDMI 2.0 Video Outputs 1 x type A. SDI Rates 270Mb, 1.5G, 3G, 6G, 12G. Multi Rate Support Auto detection of SD, HD, 2K, Ultra HD and 4K. Updates, Configurations and Power USB Type‑C.

Key Features

• For DaVinci Resolve Systems
• Enables Use of an HDMI Monitor
• Compact Design is Easily Concealed
• Ethernet/SDI Input Switch
• HDMI Type-A Output
• Dual SDI Outputs
• Ethernet/SDI Status LEDs
• USB Type-C Port for Configuration
• Includes External Power Supply

Blackmagic Design RESFA/MONINT Overview

Make your existing HDMI monitor compatible with a Fairlight console by utilizing the Blackmagic Design Fairlight HDMI Monitor Interface, a compact video signal converter that changes the Ethernet data from a Fairlight Console Channel Control to standard HDMI format. It also features an Ethernet/SDI input switch to select the SDI input for lip sync checks.

In addition to the HDMI Type-A output for connection to your HDMI display, this interface incorporates two SDI outputs to allow hookup to a remote SDI monitor. LEDs are present for easy verification of valid Ethernet and SDI input signal. Configuration and updates are handled through USB and power is provided via the included external power supply.

Use HDMI Monitors with Fairlight ConsolesIf you are using the Fairlight Console components in your own custom desk with HDMI monitors, you can use Fairlight HDMI Monitor Interface to generate the graphical feedback from Fairlight Console Channel Control. This compact converter can be placed discretely on the back of your HDMI monitor and converts the Fairlight console Ethernet data to HDMI.Instant Graphic FeedbackYou get instant graphic feedback for the channel control status just as you would with the Fairlight Console LCD Monitor.SDI SupportThe interface input can also be switched to SDI so you can see the talent up close for checking lip sync while editing. The SDI output mirrors the HDMI output so you can connect the interface to a remote SDI monitor.I/O Ports

• Ethernet input on an RJ45 port
• 3G-SDI input on a BNC jack
• Dual 3G-SDI outputs on BNC jacks
• HDMI Type-A output

Input Status LEDsThe interface features status LEDs for easy confirmation of valid Ethernet and SDI input signal.Configuration and Updates via USB Type-CA USB Type-C port is provided for software configuration (via Fairlight Studio and Console setup utility) and software updates.Convenient Software UpgradesThe Fairlight HDMI Monitor Interface utilizes an internal software upgrade function via an updater application.External Power SupplyThe Fairlight HDMI Monitor Interface comes with a +12V universal power supply and international socket adapters for most countries.